In response to failures, Schumann once again turned more to composing during his time in Düsseldorf. He wrote many new works – also ones for the piano for which he had only written a few pieces after his first years of composing. Bach’s music played an important role in the Schumanns’ house at the time; this is mirrored in the fact that Schumann turned to baroque forms again. However, he wanted his fugues to be understood as “character pieces, just in a stricter form”. The “Piano Pieces in Fughetta Form” op. 126, published in our catalogue for the first time, unite the strict formal demands with romantic expression in a masterly manner.

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Seven Piano Pieces in Fughetta Form op. 126  

Nicht schnell, leise vorzutragen op. 126,1피아노 5 중

Mäßig op. 126,2피아노 5 중

Ziemlich bewegt op. 126,3피아노 5 중

Lebhaft op. 126,4피아노 6 중

Ziemlich langsam, empfindungsvoll vorzutragen op. 126,5피아노 5 중

Sehr schnell op. 126,6피아노 6 중

Langsam, ausdrucksvoll op. 126,7